My experience of camp life in Afghanistan had at least had the effect of making me a prompt and ready traveller. My wants were few and simple, so that in less than the time stated I was in a cab with my valise, rattling away to Paddington Station. Sherlock Holmes was pacing up and down the platform, his tall, gaunt figure made even gaunter and taller by his long gray travelling-cloak and close-fitting cloth cap.

“It is reaily very good of you to come, Watson,” said he. “It makes a considerable difference to me, having someone with me on whom I can thoroughly rely. Local aid is always either worthless or else biased. If you will keep the two corner seats I shall get the tickets.”

We had the carriage to ourselves save for an immense litter of papers which Holmes had brought with him. Among these he rummaged and read, with intervals of note-taking and of meditation, until we were past Reading. Then he suddenly rolled them all into a gigantic ball and tossed them up onto the rack.

“Have you heard anything of the case?” he asked.

“Not a word. I have not seen a paper for some days.”

“The London press has not had very full accounts. I have just been looking through all the recent papers in order to to master the particulars. It seems, from what I gather, to be one of those simple cases which are so extremely difficult.”

“That sounds a little paradoxical.”

“But it is profoundly true. Singularity is almost invariably a clue. The more featureless and commonplace a crime is, the more difficult it is to bring it home. In this case, however, they have established a very serious case against the son of the murdered man.”

“It is a murder, then?”

“Well, it is conjectured to be so. I shall take nothing for granted until I have the opportunity of looking personally into it. I will explain the state of things to you, as far as I have been able to understand it, in a very few words.

“Boscombe Valley is a country district not very far from Ross, in Herefordshire. The largest landed proprietor in that part is a Mr. John Turner, who made his money in Australia and returned some years ago to the old country. One of the farms which he held, that of Hatherley, was let to Mr. Charles McCarthy, who was also an ex-Australian. The men had known each other in the colonies, so that it was not unnatural that when they came to settle down they should do so as near each other as possible. Turner was apparently the richer man, so McCarthy became his tenant but still remained, it seems, upon terms of perfect equality, as they were frequently together. McCarthy had one son, a lad of eighteen, and Turner had an only daughter of the same age, but neither of them had wives living. They appear to have avoided the society of the neighbouring English families and to have led retired lives, though both the McCarthys were fond of sport and were frequently seen at the race-meetings of the neighbourhood. McCarthy kept two servants — a man and a girl. Turner had a considerable household, some half-dozen at the least. That is as much as I have been able to gather about the families. Now for the facts.

Aaron sat in the little sitting–room and waited. After a rather long time the Marchesa came in—wearing a white, thin blouse and a blue skirt. She was hardly made up at all. She had an odd pleased, yet brooding look on her face as she gave Aaron her hand. Something brooded between her brows. And her voice was strange, with a strange, secret undertone, that he could not understand. He looked up at her. And his face was bright, and his knees, as he sat, were like the knees of the gods.

“You wanted the book of chansons?” she said.

“I wanted to learn your tunes,” he replied.

“Yes. Look—here it is!” And she brought him the little yellow book. It was just a hand–book, with melody and words only, no accompaniment. So she stood offering him the book, but waiting as if for something else, and standing as if with another meaning.

He opened the leaves at random.

“But I ought to know which ones you sing,” said he, rising and standing by her side with the open book.

“Yes,” she said, looking over his arm. He turned the pages one by one. “Trois jeunes tambours,” said she. “Yes, that. . . . Yes, En passant par la Lorraine. . . . Aupres de ma blonde. . . . Oh, I like that one so much—” He stood and went over the tune in his mind.

“Would you like me to play it?” he said.

“Very much,” said she.

So he got his flute, propped up the book against a vase, and played the tune, whilst she hummed it fragmentarily. But as he played, he felt that he did not cast the spell over her. There was no connection. She was in some mysterious way withstanding him. She was withstanding him, and his male super–power, and his thunderbolt desire. She was, in some indescribable way, throwing cold water over his phoenix newly risen from the ashes of its nest in flames.

He realised that she did not want him to play. She did not want him to look at the songs. So he put the book away, and turned round, rather baffled, not quite sure what was happening, yet feeling she was withstanding him. He glanced at her face: it was inscrutable: it was her Cleopatra face once more, yet with something new and warm in it. He could not understand it. What was it in her face that puzzled him? Almost angered him? But she could not rob him of his male power, she could not divest him of his concentrated force.

“Won’t you take off your coat?” she said, looking at him with strange, large dark eyes. A strange woman, he could not understand her. Yet, as he sat down again, having removed his overcoat, he felt her looking at his limbs, his physical body. And this went against him, he did not want it. Yet quite fixed in him too was the desire for her, her beautiful white arms, her whole soft white body. And such desire he would not contradict nor allow to be contradicted. It was his will also. Her whole soft white body—to possess it in its entirety, its fulness.

“What have you to do this morning?” she asked him.